warmth

Here are a couple of in-progress shots of the painting I am working on at the moment. It is a top down view of a sea shell collection arranged in a random pile. I like the warmth of the shells' colors recalling sand, sea, and sun.

Some paintings I work from light to dark, or from background to foreground, or from sky to ground, or even all over the place at once. This is one of those paintings that is going together like a puzzle, a piece at a time.

Today greeted us with strong winds blasting bitter cold and snow falling and then blowing up and around in near white out conditions at times. A very good day to be in, at my drawing table, painting warmth.

sketchbook :: newness

In spite of 2014 being a wobbly year for me I did manage to create 54 sketches and 37 finished works. Not that the numbers matter other than my surprise when I added it all up. I was more productive than I realized. Now my intention for 2015 is to keep up a good creative pace but hopefully with more eveness to my days. Intention is my word for this new year. Approaching activities and projects with intention is my goal for this year.

The image above is my third sketch in this new sketchbook and my first image scanned on my new large format scanner. (yes, Santa was very good to me!) How best to flatten the book in the scanner to avoid the shadows will take some practice though. The pages do not look so buckled in real life.

The sketchbook is a Strathmore Soft Cover Mixed Media Journal. It is 7.75 x 9.75 inches and has 90 lb. mixed media paper. My first reaction to this paper was that it was going to prove much too soft for watercolor. Yet so far I am really enjoying the way it handles watercolor paint.

Here is a detail from my sketch above where I dropped color into wet washes. It expands and spreads wonderfully. I love it when paint does that.

And here is a detail where I lifted color with a paper table napkin. The paint had actually dried and I re-wetted it before lifting. I like using paper table napkins better that paper towels. The very cheapest napkins are the ones we buy. They are softer than paper towels and have less texture.

The sky in my sketch was initially painted by wetting the entire area with clear water and then washing with paint, allowing the pigment to spread on its own. After that was dry, and I had mostly completed my sketch, I went back into the sky to further define the bottom edge of the clouds. I was able to do this easily without disturbing the paint already there, as well as soften the edges of my darker color as it moved up into the cloud form.

The format of this sketchbook suits me and like Strathmore's watercolor sketchbook, the soft cover is a pleasure to hold. It does open flat and stays opened when working in it. The sketch shown above was done from a photo taken at the tree farm where we got our Christmas tree the day after Thanksgiving. And now it's already time to take the tree down and pack away all of the decorations. We are still in the newness of the year.

Thank you for following along with my creative journey and cheering me on with every post. I truely appreciate every visit! May you enjoy a wonderfully colorful, creative 2015!

A Walk In Manteo

A Walk In Manteo

watercolor

6 x 6 inches

©Ann Thompson Nemcosky

available

Here is another study of trees that I had finished up before the holiday but am just getting around to posting now. The view is from the Elizabethan Gardens in Manteo, North Carolina. A beautiful, magical place graced with many magnificent trees, flowers, and shrubs lining meandering walkways.

sketchbook :: winter solstice

The winter solstice is tomorrow and I am so ready to begin the turn towards the light again. I am nearly finished with this Stillman & Birn Beta sketchbook, and right on time too. A new season, a new sketchbook waiting. Perfect.

I have many pages of notes in this book, and several sketches. It seems this sketchbook handles these sketches that are lightly washed with watercolor a bit better than the previous sketches that I posted where I am doing more "painting" than sketching.

And here we are at the winter solstice. Yes. I am ready for a new season. All of my notes are preparations for changes to come. Planning for the upcoming year, goal setting, setting my intentions. But for now it is time to do a little relaxing, like Sam up there, and contemplate the beauty of this season. May you find time for quiet contemplation and enjoy a delightful holiday!

sketchbook :: fruit

I didn't intend to be away so long from posting. I have been filling my sketchbook and here are two to share. They are both watercolor only, done in my Stillman & Birn Beta sketchbook.

The jury is still out on whether or not this will be sketchbook that I will stick with for future use. As you can see, the paper buckles a bit, which I am sure is due to my soupy washes. I don't mind that so much as it is a sketchbook after all. However the further I work into the book the more difficult it is for the pages to lay flat while I am working.And the paint does tend to sit on top of the paper, which requires me to adjust my painting application. Again, not a deal breaker, yet something to consider. I have one more commercially made sketchbook to try before I give up and return to my hand made sketchbooks again.

And here is a sneak peek at my current painting in progress. Still thinking about trees. I am most happy with that tree trunk in the foreground. We'll see if this little study develops into a finished work.

sketchbook :: tree farm

We made our traditional visit to a local Christmas tree farm this past Friday. This year we hiked way up a slick, snow covered hill to select our tree. The views were incredible but the air was cold. I did this sketch after we were back home from one of the photos I snapped, while sipping hot chocolate.

thinking about trees

The Walk To The Pond

watercolor

6 x 6 inches

©Ann Thompson Nemcosky

available

I have been thinking about trees lately. And when considering trees and their many forms while I sifted through my references, I found this view from a nearby Christmas tree farm. It is our family's tradition to visit a local Christmas tree farm the day after Thanksgiving where we "choose and cut" our tree for the holiday season. The November light and color of this scene seemed a perfect place to start when thinking about trees.

Wishing to all who celebrate a Happy Thanksgiving holiday!

sketchbook :: squash and other thoughts

This is the first sketch in my new Stillman & Birn Beta sketchbook. I used up the Strathmore watercolor sketchbook and was curious to try something else. Compared to the Strathmore sketchbook, the Stillman & Birn paper in the Beta is a little smoother in texture and a bit brighter white. Although I liked the paper's texture in the Strathmore watercolor sketchbook I am thinking that the smoother paper in the Beta will better lend itself to a greater variety of media. (Something I keep saying I am going to do in my sketchbooks but rarely happens) They both take watercolor well, however is is a bit easier to lift the pigment from the Beta paper. Actually somewhat too easy at times. I do use very soupy washes of color and enjoy dropping pure color into very wet areas and letting the paint mix on the paper. I like a paper that will hold onto that initial puddle of color and continue to accept additional color dropped into it while still wet. Nothing really does that like a good cold pressed paper but both of these sketchbooks, the Strathmore watercolor and the Stillman & Birn Beta, are the closest to having that quality that I have found in a commercially made bound sketchbook.

The Strathmore watercolor sketchbook that I was using was the soft bound cover in the 7.5 by 9.5 inch size. This Stillman & Birn Beta is a hard bound cover 5.5 x 8.5 inch sketchbook. They both lay flat when opened, which is important to me. Now the soft cover of the Strathmore was a treasure to hold and the 7.5 x 9.5 inch was a very comfortable format for me to work in, even if it didn't fit my scanner bed. The 5.5 x 8.5 inch size of the Beta does fit my scanner (yay!) and you get a nice 8.5 x 11 inch format when working across the page spread. Yet I do wish Stillman & Birn had more size options in the hardcover Beta sketchbook. Something a little less rectangular, more of a square sized format, but that's just my personal preference. I know they have a square format in the spiral bound but I can never warm up to a spiral bound sketchbook the way I do with a hard (or soft) bound book.

Now I know I can always return to making my own sketchbooks. And by doing so I can choose a paper I like and make a format that I prefer. And I just may do that again at some point. But my book binding skills are not so great and there always remains a gap where the signatures come together. Plus I tend to treat my hand made sketchbooks as being a little too precious, approaching every sketch as I would a finished painting. I needed a break from that mindset. For some reason, when using a commercially made sketchbook I feel more free to have messy unresolved pages right along with a few nice sketches. So I will see where this Stillman & Birn Beta sketchbook takes me.

The squash pictured above were sketched with watercolor only and are on the menu for tonight's dinner.

Scott Creek Marsh

Scott Creek Marsh at Low Tide

watercolor

8 x 10 inches

©Ann Thompson Nemcosky

Scott Creek meanders behind the park and shops along Jungle Road on Edisto Island, South Carolina. The creek runs from Big Bay Creek and St. Helena Sound to the Atlantic Ocean at the north end of Edisto Beach State Park. The salt marshes change appearance with the rise and fall of the tide. At low tide what remains are the muddy etchings of the water's flow, crabs scurrying about and the sucking sound of the mussels now exposed to the air. I was drawn to the curvilinear shape of that shallow ribbon of water in this low tide salt marsh view.

sketchbook :: season's change

We had stunning Autumn days last week. Tuesday afternoon while Kiddo worked on her science project recording native plants in our yard, I took the opportunity to sketch one of our forsythia that lives beside our drive. The deep reds and purples of its autumn leaves create quite a show against the backdrop of deep blues and greens of the rhododendrons.

Postcard From Autumn V

watercolor

3.5 x 5 inches

©Ann Thompson Nemcosky

sold

And here is the last in my Postcards From Autumn series, one that I previously neglected to post. It does seem that winter has arrived, now that we had our first snow over the weekend. The colder temps have me thinking about winter time projects in the studio, as well as lots of cooking and crocheting. How does your creative activity change with the seasons?